RAPPER, nathan saunders

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AO NO EXORCIST[break]
[b]SHIMA KINZOU[/b] - @nathan

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It's always good to see life as more funny than it is sad, and don't dare to take it's antics seriously, because you believe there's always an escape route, even if said route is obscured by non believers and heretics. Your escape route just so happens to be drugs, sex, and obscure rap music. If you're not fucking, you're writing raps. If you're not making misinformed judgements, you're fucking. You don't need sleep, normal working hours, or anything remotely solid. (Solids can hurt. Solids can hurt. Solids can stab your eyes and burn your lungs out.) 

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You left home when you were seventeen, with a sister who had to drop out to look after your mother and a father who turned into a money machine out of grief for the woman who has a death sentence hanging over her head. You won't think about it. You can't think about it. To you, it's just a story that's happened to some unfortunate kid halfway across the world. It can't be you. It won't be you, either. 

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Music was, and still is, the best accident of your life. It's a story you repeat often in interviews and magazine cuts, so you're sick to death of even relaying the story to half fans who've only ever listened to your singles and got curious. (Your fearlessness got you into a rap battle, you turned and fucked him up as an underdog, you got interest in the underground scene, and haven't thought about anything else since.)

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It's a nice story isn't it? Not that they'll know that you ended up in hospital the following day with broken bones and bruises after 'showing him up'. Tragic. Shocking. More like get me another fucking shot because I'm bored as fuck right now and you're boring me with a story I don't give a shit about.

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